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What’s wrong with falsehoods in (fiction) film?
What’s wrong with falsehoods in (fiction) film?

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Google the phrase “inaccurate documentaries” and you will discover numerous sites triumphantly condemning the falsehoods in lists of culpable films, from Nanook of the North (1922) to anything directed by Michael Moore. No one is surprised by these critiques. After all, we expect factual correctness from documentaries, as a genre of nonfiction. So when such […]

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