Almost every artist has more ideas than they can use. The ones that get used tend to be those that are the most beautiful or meaningful, while also being feasible in the medium that the artist works.
Of the ideas that get left behind, some are abandoned because they feel too trite, cliche, or vulgar. Others are set aside because there is something still missing — a part that needs to be added in order for the idea to be complete or realizable. Often this missing part will be discovered later and the idea will find a home in the artist’s future work. But there are also ideas that are left behind because they feel too risky to be brought into the world.
The artist is, of course, accustomed to taking risks. Everything they make is a risk, for there is no way of knowing whether or not their creation will be any good before it is complete, and no way of being certain that others will appreciate it once it is. Artists are always at the edge of the already-existing culture, always pushing in their own direction that only they can see.
Poststructuralism as a Regime of Truth: Foucault and the Paradox of Philosophical Authority
Foucault’s critique of power and knowledge shaped poststructuralism, yet its rejection of truth risks becoming its own orthodoxy. To remain...